I have long been drawn to the colors, textures, and diverse materials found in construction sites. Beyond the materials themselves, I am fascinated by the process of construction—the evolving structures, the temporary arrangements, and the unexpected aesthetics that emerge. This series approaches construction and public works as sites of geometric abstraction, where unintentional yet harmonious compositions take shape. By framing construction equipment and materials—so often seen only in terms of their utility—I highlight their visual possibilities and the ways they interact with surrounding forms and spaces.
